Federico Figueroa (he/him)
Dramaturg, Librettist, Producer, Stage Director
Born and raised in Chiapas (Mexico), he moved to Spain in 1997. He has directed opera, operetta, zarzuela and plays in his native country, Colombia, Cuba, United Kingdom and United States. In the last three years he has released four lyrical-theatrical works with texts of his authorship. At the beginning of this year his staging of the baroque zarzuela "Love conquers impossible love" in Dallas, garnered great critical and public success. He is currently working on the rescue of the text and the staging of the zarzuela "Romance slave", by Colombian authors, with the support of a grant from the municipal government of Bogotá.
Tatiana Gil (she/her)
I am a Boston based Queer Latinx writer, dramaturg, and actor with a passion for new work development, art that moves people to take action, and decolonization as a form of healing and empowerment. As an artist, I specialize in all things new works!
Geovonday Jones (he/him)
Dramaturg, Stage Director, Acting for the Singer Coach
New York, NY
Geovonday Jones is a New York City based actor, director, and teaching artist/coach. He has an MFA in Acting from Brooklyn College and a BFA from Missouri State University. As a director, he most recently worked on The Motherfucker with the Hat and In the Blood. He has also directed or assisted on operas, including but not limited to: Il Tabarro, Suor Angelica, The Bartered Bride, Carmen, to name a few. Also, he has served as an acting coach for many operas and concerts. Most recently, as an actor, he was a part of JAG’s Jagfest 4.0. Previous: Irondale Theatre’s production of Lynn Nottage’s Sweat (Brucie), Waterwell’s Ajax (Ensemble), which was a part of The Green Plays Festival, Ancram Opera House’s production of Tarell Alvin McCraney’s The Brother Size (Ogun), New Works Brooklyn’s reading of Nambi Kelley’s Translation of Likes (Too Legit To Quit). Regionally, Geo has performed in several shows with Tent Theatre, including Peter and the Starcatcher (Captain Scott), A Funny Thing Happened on the Way to the Forum (Senex), Rumors (Officer Welch), and Anything Goes (Henry T. Dobson). Other regional roles include Bobo in A Raisin in the Sun, Jose the Muleteer in Man of La Mancha, and Tinca in Puccini’s Il Tabarro. Among his educational roles, his favorites are Gabriel Pleasure in Mac Wellman’s The Lesser Magoo, Vanya in Uncle Vanya, Sly in Dominique Morisseau’s Detroit ’67, Father Luka/Eugene in Ambition Facing West, and Twilight Los Angeles, 1992.
Daphnie Sicre (she/her)
Dramaturg, Stage Director
Los Angeles, CA
Dr. Daphnie Sicre teaches Directing & Theatre for Social Change at Loyola Marymount University. Engaging in anti-racist and cultural competent theatre practices, she facilitates Theatre of the Oppressed workshops remixed with Hip Hop Pedagogy. When she is not teaching, writing, or conducting workshops, she can be found directing or serving as a dramaturge. She recently directed the following Zoom productions: “Talking Peace”by France-Luce Benson (Fountain Theatre) a stage reading of “Waiting for Godinez” by Daniel Olivas (Playwrights’ Arena) and a podcast reading of “Ash & Feather” by Sharon Francis’s. Her LMU debut was “In the Heights” and next year she will direct “Diversity Awareness Picnic” by Leah Nanako Winkler. Select New York City directing credits include: Jose Casas’s “14”, Shower Me” at the FringeNYC, “Stranger” for Stage Black, where she won Best Director and the AUDELCO nominated “Not About Eve”.