Valerie Curtis-Newton (she/her)
Stage Director, Dramaturg
Currently the founding Artistic Director for The Hansberry Project, I also serve as the Head of Directing & Playwriting at the University of Washington School of Drama, Valerie has worked with professional theatre's across the country including: The Guthrie Theatre, Denver Center for the Performing Arts, Seattle Rep, Playmakers Repertory Company, Actors’ Theatre of Louisville, Alabama Shakespeare Festival, Intiman Theatre, Seattle Children’s Theatre, The Mark Taper Forum, New York Theatre Workshop, and Southern Repertory Theatre among others.
Awards: 2020: Seattle Times Most Influential People of the Last Decade; 2019: Theatre Puget Sound - Gregory Falls Award for Sustained Achievement; 2016: Seattle Times Footlight Award (Best in Show) 2014: Stranger Genius Awards in Performance and the Crosscut Courage Award for Culture; 2012: Gypsy Rose Lee Award for Excellence in Direction; 2001: Stage Directors and Choreographers Foundation’s (SDCF) Gielgud Directing Fellowship 1997-1999: NEA/TCG Career Development Fellowship for Directors
Federico Figueroa (he/him)
Dramaturg, Librettist, Producer, Stage Director
Born and raised in Chiapas (Mexico), he moved to Spain in 1997. He has directed opera, operetta, zarzuela and plays in his native country, Colombia, Cuba, United Kingdom and United States. In the last three years he has released four lyrical-theatrical works with texts of his authorship. At the beginning of this year his staging of the baroque zarzuela "Love conquers impossible love" in Dallas, garnered great critical and public success. He is currently working on the rescue of the text and the staging of the zarzuela "Romance slave", by Colombian authors, with the support of a grant from the municipal government of Bogotá.
Tatiana Gil (she/her)
I am a Boston based Queer Latinx writer, dramaturg, and actor with a passion for new work development, art that moves people to take action, and decolonization as a form of healing and empowerment. As an artist, I specialize in all things new works!
Geovonday Jones (he/him)
Dramaturg, Stage Director, Acting for the Singer Coach
New York, NY
Geovonday Jones is a New York City based actor, director, and teaching artist/coach. He has an MFA in Acting from Brooklyn College and a BFA from Missouri State University. As a director, he most recently worked on The Motherfucker with the Hat and In the Blood. He has also directed or assisted on operas, including but not limited to: Il Tabarro, Suor Angelica, The Bartered Bride, Carmen, to name a few. Also, he has served as an acting coach for many operas and concerts. Most recently, as an actor, he was a part of JAG’s Jagfest 4.0. Previous: Irondale Theatre’s production of Lynn Nottage’s Sweat (Brucie), Waterwell’s Ajax (Ensemble), which was a part of The Green Plays Festival, Ancram Opera House’s production of Tarell Alvin McCraney’s The Brother Size (Ogun), New Works Brooklyn’s reading of Nambi Kelley’s Translation of Likes (Too Legit To Quit). Regionally, Geo has performed in several shows with Tent Theatre, including Peter and the Starcatcher (Captain Scott), A Funny Thing Happened on the Way to the Forum (Senex), Rumors (Officer Welch), and Anything Goes (Henry T. Dobson). Other regional roles include Bobo in A Raisin in the Sun, Jose the Muleteer in Man of La Mancha, and Tinca in Puccini’s Il Tabarro. Among his educational roles, his favorites are Gabriel Pleasure in Mac Wellman’s The Lesser Magoo, Vanya in Uncle Vanya, Sly in Dominique Morisseau’s Detroit ’67, Father Luka/Eugene in Ambition Facing West, and Twilight Los Angeles, 1992.
Justin Lucero (he/him)
Choreographer - Intimacy, Dramaturg, Producer, Stage Director
Artistic Director - El Paso Opera
El Paso, TX
Justin Lucero (he/him) is Artistic Director of El Paso Opera and has stage directed such productions for El Paso Opera as Hänsel & Gretel, The Magic Flute, Trouble in Tahiti, Pagliacci, Bon Appétit! and the upcoming Frida, produced a remount of Houston Grand Opera’s Cruzar la Cara de la Luna, and has developed such original community initiatives as Giving Voice and #CurbsideOpera. He has served in over ten years of involvement with El Paso Opera, including as resident Assistant Stage Director (The Marriage of Figaro, Barber of Seville, La bohème, How Green Was My Valley, Carmen) and Associate Director for a Smithsonian Institute co-production of Opera Bhutan: Acis & Galatea, the first-ever Western opera performed in the Himalayan Kingdom of Bhutan.
Daniel Mesta (he/him)
Producer, Stage Director, Dramaturg
San Antonio, TX
Daniel Mesta is an actor, director and dramaturg who has primarily worked in the diverse arenas of theatre, radio and opera. Winner of a 2020 John F. Kennedy Center Fellowship in Dramaturgy for his work on "The Magic Flute", which he both translated and dramaturged, Mesta has also received awards and acknowledgements from LMDA, ATHE and the Irene Ryan Foundation. Mesta is currently based between San Antonio, Texas and St. Petersburg, Russia, where he is acts as a project associate for the Center for International Theatre Development.
Daphnie Sicre (she/her)
Dramaturg, Stage Director
Los Angeles, CA
Dr. Daphnie Sicre teaches Directing & Theatre for Social Change at Loyola Marymount University. Engaging in anti-racist and cultural competent theatre practices, she facilitates Theatre of the Oppressed workshops remixed with Hip Hop Pedagogy. When she is not teaching, writing, or conducting workshops, she can be found directing or serving as a dramaturge. She recently directed the following Zoom productions: “Talking Peace”by France-Luce Benson (Fountain Theatre) a stage reading of “Waiting for Godinez” by Daniel Olivas (Playwrights’ Arena) and a podcast reading of “Ash & Feather” by Sharon Francis’s. Her LMU debut was “In the Heights” and next year she will direct “Diversity Awareness Picnic” by Leah Nanako Winkler. Select New York City directing credits include: Jose Casas’s “14”, Shower Me” at the FringeNYC, “Stranger” for Stage Black, where she won Best Director and the AUDELCO nominated “Not About Eve”.