Tennessee native, Camron Gray, began his vocal studies in his undergrad program 10 years ago which led him to participate in opera workshops and young artists programs since then. Last summer he attended the Glimmerglass Festival and is currently completing his Artist’s Diploma at the University of Michigan.
Seeking to move people with honest portrayals of characters, Camron is proud to have performed in Blue at the Glimmerglass Festival. “That work merged my passion for social activism with my love for music and truthful storytelling.” Though his passion for music and the human voice is what has brought Camron to this point in his career, he looks forward to using his platform to help move someone and inspire them through his music-making.
His performance work includes Tom Snout in Benjamin Britten’s A Midsummer Night’s Dream (2017), Larry Renault in William Bolcom’s latest opera Dinner at Eight, as well as the authoritative, fully-revised version of George Gershwin’s Porgy and Bess, as Robbins and Crab Man in February 2018 in conjunction with the University Musical Society (UMS). He performed as part of the Cincinnati Opera chorus in La Traviata (Verdi), The Flying Dutchman (Wagner), and Another Brick in the Wall (Bilodeau).
Camron looks forward to future performances of Blue and to performing some of his dream roles in La Boheme, Faust, and La Traviata. As well as taking part in many of the new works being created. Keep an eye on Camron’s upcoming performances at https://www.camrongraytenor.com.
“The first opera I saw was Aïda at Hawaii Opera Theatre and the drama and emotions that could be conveyed through music stuck with me.” Robert Ellsworth Feng began his operatic career in the chorus of Turandot which led to a life-long passion. “I knew I had a story to tell and a voice to tell it with.”
As a singer and librettist, Robert sees his role as giving back to the world by offering his truth and story. His performance work has included traditional repertoire including Don Giovanni (Il Commendatore) with Kor Productions, La sonnambula (Count Rodolfo) and Così fan tutte (Don Alfonso) with Opera Alchemy. And he has also premiered new works including Tony Small’s operetta Qadar, Nick Peros’ monodrama Lamentation of Ruin, and with Christman Opera in their Voices Rising Voices series.
Since the COVID-19 outbreak, Robert has been active through Social Distance Opera's production of Street Scene as Henry Davis and was an Emerging Artist with Seagle Music Colony. He has also been a featured artist for Tony Small's Virtual Masterclass series for the Boys & Girls Club of Greater Washington. A highlight of his professional career, Robert has enjoyed participating in Small’s Project 31, an education series to introduce young kids to opera.
A lover of the Horror genre, his dream opera is a new opera based on a horror story. “The Magnus Archives is a recent favorite of mine for horror.” Until then, his upcoming projects include Don Giovanni (Conmendatore) with Kor Productions, Mikado (Ko-Ko) with Hawaii Opera Theatre, Voice Acting with Circle Round WBUR, and continuing Tony Small’s Project 31.
Stay connected to Robert’s upcoming performances and explore some of his written work at https://www.robertfeng.com.